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Danger Dog.

One thing I enjoy about documentary over an extended period is that people soon forget that the camera is there. 
 

You, and more specifically the camera, transcend from a voyeuristic intruder to an intimate participant, and it's there that you get your best work. 

This is the situation that I found myself in with Danger Dog.

I spent Four months, on and off, with them in the studio as they recorded some upcoming singles and, as time went on, they soon forgot that the camera was there.
 

The documentary began to form and with their guards down I captured some of my better work. The really enjoyable part of documentary is that you can be involved to some degree, and that involvement invites an intimacy that no photoshoot can reward.

It's a special relationship between subject and photographer where one is invited into the inner workings of a creative artist. 

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